IMG_7981What an awesome time Adelaide, and it ain’t over yet.

First stop was the Sting/Paul Simon concert – super amazing. Sting has still got it – he put on an amazing show, commanding the stage with his blissed-out, yoga-infused presence while bawling with the power of a rastafarian godfather and hammering out fat fast grooves on his bass and various guitars. His drummer, the newly discovered incredible Vinnie Colaiuta managed to put a tasteful drum solo in every song – while making it seem natural. I know, crazy right? Just a powerhouse of radically stunning fills and colours all while staying out of the way of the other performers. Think The Police drummer Stewart Copeland, but with twice as much daring.

IMG_7995Paul Simon himself was also great – but in a different way. At the age of 74 (to Sting’s 66), he was feeling his way a bit more gingerly about the stage, coaxing his band in a gentle rather than fiery fashion. His voice had lost a bit of its focus and clarity, but still commanded the band through those timeless songs with an impact that was powerfully emotional to all, if the reactions of the people around me were anything to go by.

IMG_7986Also great was Sarah Blasko as support act – although somewhat diminished by the fact that she didn’t have drums and bass in her lineup, only sporting a guitarist and pianist, her lovely vocals and strong songs shone through as usual. Having clearly been instructed to not overshadow the main act with too big a sound, something I don’t necessarily agree with, she was forced to try and woo a largely indifferent crowd in a massive outdoor space with her small band. Her guitarist cleverly pumped out synth lines, and the pianist held down the charming sounds of her well-crafted, idiosyncratic sound with style, leaving her to croon away in her often-mournful but always beautiful manner.

IMG_8023Now to our performance. We had a great gig at Vinyl last night – good vibes and awesome wallpaper. The place looks like a 60s tropical wonderland with vintage patterns everywhere, palms in the bathroom and incredible unique food – try a Patatas Australis or the Kangaroo Baloney Sandwich.

Thanks also to the amazing Banjo Jackson who supported us, great songs and sweet sounds on acoustic and electric guitar, combined with the incendiary cuteness of his young daughter who begged to be picked up with her little dog during soundcheck, and waited patiently for her Dad during his set, jumping down straight after he finished saying “quick, quick” and running up for a hug.

After the gig we headed to the Garden of Unearthly Delights – an Adelaide Fringe Festival institution, consisting of incredible sideshows, mad gigs (Shaolin Afronauts last night) and frolicing happy punters. It goes for the duration of the Festival, home to the world-famous Spiegel Tent, numerous tenacious buskers and all sorts of circus gladness.

Now for a big party for Dad’s 70th birthday, and big surprise there!

Hope you’re all well wherever you are!
Love Simon

About to go and see Paul Simon live! This is a life-long dream for me – this guy was one of the first artists I ever listened to, and who inspired so much of my songwriting style.

In a few hours I’ll be listening to him onstage with Sting. That blows my mind.

Also supported by Sarah Blasko – she’s fantastic too!

I’ll be sure to post some photos! Playing at the Coopers Brewery in Adelaide.

Love Simon

imageWe recorded a shit-ton of Brazilian percussion in the studio yesterday. And man, was it glorious. Couldn’t get to sleep for hours, I was so pumped.

As well as putting percussion on the track, after the track finishes, we laid down a party version with just Brazil perc madness on its own. Sounds amazing.

Thanks so much to Mark Grunden and Dave Hall for sparing your Sunday arvo to generously give your time to this track. Can’t wait to hear it mixed, and to play with you guys again at the launch.

This is Mark playing the cuica (Brazilian monkey drum) with engineer Tristan Ludowyk setting up the sound.

More tracking tomorrow, BVs, djembe, cello and Mbira (African thumb-piano)

Over and out for now,
Simon

Ok so today’s the day, I’m heading back into #TheAviary and I’m going to be joined by the likes of Mark Grunden and Dave Hall, who are playing Brazilian percussion with me on Gone A Long Time. This is going to be a corker!

Also today I’ll be doing lead vocals on Rolling, as well as getting started on all the backing vocals, and sundry other percussion on most tracks.

Wish me luck!

Yours,
Simon

Hi happy campers!

Just thought I’d give you an update on what’s happening with our latest album. We had some very successful days in The Aviary studio laying down the bed tracks. If you’ve never heard of this before, it’s putting down the foundations of the song with drums, bass, keys, guitar and guide vocals. You can then use this to lay down the finishing touches, including the main vocal, backing vocals, other percussion etc etc.

IMG_7893We’ve also being laying down some of these overdubs in The Kitchen, Oscar’s home studio. So far we’ve got all the main vocals done except for one, and we’ve got the congas done on two out of four tracks. Here’s a little snap of percussionist Salvador Persico doing his thing.

Next step is to head back into The Aviary to do the rest of the overdubs. We’ll be doing this on this coming Sunday and Tuesday, and this will hopefully include getting our mate Mark Grunden to help us with the Brazilian percussion, and my partner Anita Quayle on cello and mbira (an African thumb-piano). Also of course our keys player Andrew will be doing BVs along with me.

After that mixing, and we’re going to be getting our recording engineer Tristan Ludowyk to help us out with some of that, as well as our guitarist Oscar.

That’s all for now, stay tuned for more news as it happens!

Cheers,
Simon

Looking forward to laying down some Brazilian grooves with these bad boys next week - phase 3 of album tracking!

Looking forward to laying down some Brazilian grooves with these bad boys next week – phase 3 of album tracking!